The second exhibition I visited yesterday while at The Higgins Bedford was Edward Bawden and his Studio. I greatly admire the work of Edward Bawden and this exhibition revealed new insights into his personal life that I was unaware of. I love being able to get up close to his prints, to see the marks he carved into lino and the impressive scale of some of the pieces.
The exhibition documents Bawden’s time at three studios in his life – Redcliffe Road, London, which he shared with Eric Ravilious; Brick House, Great Bardfield and Park Lane, Saffron Walden, where he spent the end of his life.
Highlights inlclude ‘The Pagoda, Kew Gardens’ – a very large linocut of the iconic pagoda, an earlier version of which featured on a Transport for London poster; ‘Peacock and Magpie’ – a vibrant colour linocut of an image from Aesop’s Fables and ‘Church and Thunderstorm’ – another large scale linocut of an atmospheric Saffron Walden church struck by a thunderstorm.
Edward Bawden and his Studio runs until 28th January 2018. A brilliant exhibition for admirers of Bawden and for people interested in finding out about him.
Image credit: The Higgins Bedford
Yesterday I visited The Higgins Bedford to see two exhibitions, the first of which was Picasso and The Masters of Print. The exhibition is centred around seven prints by Picasso, each one displaying the various printmaking techniques he mastered. Picasso himself is credited with the reduction method of linocutting, which is demonstrated in his piece ‘Still Life with Glass under a Lamp.’ What is most impressive is that Picasso had no formal training in printmaking and his great skill is shown in the etching ‘The Frugal Meal’, which is only his second attempt at printmaking.
The exhibition also displays work by artists who greatly influenced Picasso’s printmaking as well as some of his contemporaries and modern day printmaking masters. You can expect to see work by Durer, Rembrandt, Degas, Matisse, Miro, Paolozzi, Hockney, Rauschenberg, Warhol, Blake and Lichtenstein.
My favourites included two etching and aquatints by Goya, ‘Simpleton About’ and ‘The Folly of Fear’, as well as an etching and aquatint by Paula Rego called ‘A Frog he Would a-Wooing Go’ – a gruesome fairytale image. I really liked the display of the deconstructed Mark Hearld photo lithograph ‘The Rooster and Railway Carriage’. It showed the many colour layers involved in the process.
My favourite Picasso piece is the reduction linocut ‘Still Life with Glass under a Lamp’. The vibrant red and yellow, shapes that show the versatility of linocutting and despite it having four colour layers it has a relaxed feeling, as though he enjoyed cutting it and did not labour over it.
The exhibition runs until 16th April 2017, try and catch it before it ends!
Last night I attended the opening of the Cambridge Original Printmakers Biennale exhibition. It is a lovely exhibition showing work by over 39 printmakers. There are a range of printmaking techniques on display, including etching, linocut, letterpress, screenprint and wood engraving.
Highlights include A J Blustin’s atmospheric linocuts, Laura Chaplin’s aquatic screenprints, Elizabeth Fraser’s playful letterpress, Celia Hart’s East Anglian inspired linocuts, Alison Hullyer’s floral Chine-collé, Louise Stebbing’s incredibly detailed linocuts and Geri Waddington’s wood engravings of gardens and buildings.
A variety of talks and demonstrations accompany the exhibition. It’s a great opportunity to learn about the art of printmaking and see some fantastic work!
Cambridge Original Printmakers Biennale exhibition at The Pitt Building, Cambridge until 28th September 2016, 10.30am – 5pm
On Saturday I visited the Norwich Print Fair. It was my first time attending the fair and I really enjoyed it! St. Margaret’s Church on St. Benedict’s Street was packed full of brilliant printmaking and because I went on a Saturday most of the printmakers were there.
It is difficult to choose, but some of my highlights included Neil Bousfield’s engravings of the Norfolk coast, Vanessa Lubach’s linocuts of cats and chickens, Elaine Nason’s linocuts and Laura White’s etchings of family photographs.
I am particularly fond of Richard Horne’s Print Vend machine, which has been filled with new prints! The Print Vend machine is full of little boxes containing a random screen print, if you do visit the fair make sure you have a go!
Illustrator and printmaker, Paul Bommer was also at the fair. He had a lovely display of work including screen prints. I chose a print of Norwich Pubs, which I am very pleased with!
Norwich Print Fair continues until Saturday 17th September. Saturday will be another open portfolio day where you get the opportunity to meet the artists and browse their unframed prints as well as the exhibition. I definitely recommend visiting the fair and hope to be back again!
Norwich Print Fair until 17th September 2016, 10am – 5pm St. Margaret’s Church, St. Benedict’s Street, Norwich. Free entry
Whilst in Saffron Walden I visited the Fry Art Gallery. It is a brilliant little gallery, which houses original works by Edward Bawden, Eric Ravilious, Michael Rothenstein and Richard Bawden, to name a few.
The main room has a display from the permanent collection called A Modern Sensibility, which features some impressive prints from Edward Bawden and Eric Ravilious. These were the highlights for me, especially Bawden’s Liverpool Street Station and Snowstorm at Brighton. It was also useful being able to compare the print of Brighton Pier at the Fry Art Gallery to the ones I saw earlier in the year at the Bedford Higgins. Another highlight was the set of lithographs by Eric Ravilious detailing life on a submarine. This display is available to view until October.
The second half of the gallery was a special exhibition called Richard Bawden At 80. It featured prints and paintings by Edward Bawden’s son, Richard. I particularly liked the Christmas card designs and the cat chair!
There were also a couple of small rooms, one of which contained other smaller Ravilious and Bawden pieces, including some lovely woodblocks by Ravilious, and a display of book covers by Saffron Walden based collage artist Michelle Thompson.
I was really impressed with the gallery. It has such an important collection of artwork and anyone interested in printmaking should try and visit. The staff were very nice and there are some lovely books available to buy as well!
Last month I visited Saffron Walden and went to the Church Street Gallery. I had heard about the gallery before going and made wanted to have a look. It is a lovely gallery with a strong focus on printmaking. I loved seeing all the different prints and talking to the very nice owner. Highlights include work by James Dodds, Mark Hearld, Neil Bousfield, Alison Read and Celia Hart. All work is for sale and there are a few other things for sale including books, I got a great book called The Printmakers Cat!
I can now reveal the sleeve I designed for this year’s Secret 7″! I created an original linocut and printed it directly onto the record sleeve for Tame Impala’s track ‘The Less I Know The Better’. If you want to know where I got the idea for the image from then watch the video for the song, but be warned it is a bit risque!
On Saturday I visited The Bedford Higgins, especially to see the Bawden By The Sea exhibition. I had never been to Bedford before, the museum is in an old brewery building and is situated in a pleasant spot near the castle mound and the river (lots of lovely swans on the river!).
I was really looking forward to seeing Bawden By The Sea, especially the original lino blocks for Brighton Pier. The exhibition took you from the initial sketches, to the lino blocks and to the final prints. I loved studying the block in detail and reading about the process. It was refreshing to see that the ‘master’ of linocuts made mistakes and struggled with the process, but still produced excellent prints. There are other sea related etchings and linocuts, including Snowstorm at Brighton, as well as porcelain designed for the Orient Line. There were also other works by Bawden hidden away in vertical drawers and a bench that he designed. I was very impressed and feel lucky to have seen the lino blocks up close.
Aside from the Bawden exhibition, I saw J.M.W. Turner & The Art of Watercolour. There were some great paintings, my favourite being The Great Falls of the Reichenbach, the scale and realism are impressive. This exhibition is joined to another room of watercolours from the museum’s collection and included some very nice works by David Jones and Paul Nash. J.M.W. Turner & The Art of Watercolour runs until 10th April 2016.
The permanent exhibits at the museum are very interesting too, I particularly enjoyed Somewhere In England, which documents Bedford’s agricultural and engineering heritage, and also the display about the history of the brewery.
For anyone interested in printmaking I would definitely recommend visiting Bawden By The Sea!
Bawden By The Sea runs until 29th January 2017
Apologies for my lack of posts recently! I have been preoccupied with making new prints and setting up the UK Printmakers community (which you should check out!). I kept meaning to post a couple of things just before Christmas, the first being the Etsy Made Local fair in Cambridge. I went there especially to have a go on Richard Horne‘s new Printvend machine, where I managed to complete my collection of Printvend prints! I previously used the original Printvend machine, which is now a permanent feature in The Book Hive, Norwich. It was great fun and I love the idea of a vending machine with prints inside! It was also nice to actually meet the person behind the prints, Richard Horne.
After the fair I went to the Museum of Archaeology and Anthropology to catch The Power of Paper, an exhibition featuring printmaking from Australia, Canada and South Africa. The exhibition was described as ‘a revelation of eloquent art made by black and indigenous artists since the 1960s. Inspired by environments from the Arctic to the Australian desert, from the country and the city, it foregrounds visions of place, custom and history, in settings that are at once profoundly different, yet linked by empire and the politics of decolonization.’ There were some great prints, which reminded me of some of the work I saw earlier in the year at The Polar Museum.
Here is the final print for the Cambridge Folk Festival project!